Booked, Blonde & Busy

Candace Bushnell says women should 'get the money', not the man

Jun 15, 2026 · 52:02

Summary

The Sex and the City creator on trophy boyfriends, why her dating advice is 'don't bother,' and what she'd tell her younger self.

Candace Bushnell has spent decades chronicling how women navigate men, money, and Manhattan. The advice she wishes she could give her younger self? Skip the first part.

"What I would have said to myself was get the money," Bushnell tells Ponton. "Explore that ambitious side of yourself that when I was in my 20s, it was no, no, no, no, no. And even the idea of a woman making her own money and buying your own house was that was like not a even a possibility."

It is a blunt pivot from the romance-first narratives that fueled the TV adaptation of Sex and the City. But Bushnell, who wrote the New York Observer column that became the book and then the HBO juggernaut, has never been interested in sugarcoating. Her real answer to "what would you tell your 20-something self?" is even sharper: "Don't bother."

She means the men.

"Don't bother. Like what are you going to, I you know, and people always say like, 'What would you say to yourself if you were like in your 20s?' And I always say the same thing. What I would have said to myself was get the money." Candace Bushnell

The wrong man can derail your entire life

Bushnell is not anti-relationship. She is anti-bad relationship, and her definition of "bad" is clinical. "The problem is that the wrong relationship can really derail you," she says. "And there's so many young women who feel like, 'Oh, I just picked the wrong person.' No, that's not true. You don't pick the wrong person. That's what the majority of men are like."

She has been interviewing men for decades, first for the Observer column and now for her one-woman show. Her conclusion: men and women do not value the same things, and pretending otherwise is a setup. "Women will list a relationship as number one importance. You know, children, my friends. And for a man, the number one thing is himself, maybe sex, his job, and a relationship, if you're lucky, is number five on the list."

Ponton, who has built a career as an influencer and can pay for her own dinners, relates. She tells Bushnell about an ex who felt emasculated when she picked up the check. "If you paid for it, it wouldn't take away from my feminine," Ponton says. "I wouldn't take it that way."

Bushnell loves this. She is currently obsessed with the idea of trophy boyfriends, the guy who shows up to the brand trip and takes the Instagram photo while his girlfriend makes the money. "That is like my new kind of thing," she says. But she knows the culture has not caught up. "There's still a lot of like, oh, you know, negativity around that and I don't think it should be that way."

Why Sex and the City is darker than you remember

The original Sex and the City book, a collection of Bushnell's Observer columns published in 1996, is not the TV show. It is meaner, more cynical, and far less interested in happy endings. Ponton, who read it for the first time before the interview, was startled. "This book is way darker than I was going to expect it to be."

"It's really dark, definitely," Bushnell agrees. "But, you know, that's my writing. My writing is dark."

The columns were reported, not invented. Bushnell would gather people to talk about a topic, then shape what they said into a piece. "A lot of it was really things that people said," she explains. "These are real people who said really said these things. And these are real attitudes that people have. Not like something that's sugarcoated that as a novelist, people tend to do that because they don't want their characters to be unlikeable. I didn't care about that."

"These are real people who said really said these things. And these are real attitudes that people have. Not like something that's sugarcoated." Candace Bushnell

The column had a circulation of 50,000, all of them insiders who knew exactly who Bushnell was writing about. Publicists Lara Shriftman and Peggy Siegal begged her to write about them. She did, changing their names and running their stories about 25-year-olds in New York City having worse dating lives than 35-year-olds. One guy brought a baby bunny to a girl's apartment and it peed on the couch. That story made it into the show, reshot on Staten Island because the Hamptons were too far from Manhattan.

'75-year-old men still just want to have sex'

Bushnell is 66 now and still dating, though she is reconsidering the whole project. "I don't know if I want to do anymore dating," she says. "Like what's the point?"

She has a term for the men in her age bracket: senior age players, or SAPs. "They all they want to do is have sex," she says. A 94-year-old man invited her to Palm Beach and told her she could have her own room "at first, but eventually you'll come into my room." She declined.

Ponton is delighted. Bushnell is bemused. The appetite never goes away, she says, and neither does the pecking order. She still goes to Carnegie Hall and texts her writing partner notes about how the flowers at a restaurant should be so huge the characters have to look around them for comic effect. She is adapting her novel Fifth Avenue for television and working the room the same way she did in the '90s, when she would go out every night but one a month, fueled by vodka cranberries, cocaine, and cigarettes. "A typical night was you know, have 20 drinks, like a couple grams of coke, and probably like two packs of cigarettes," she says. "That was not an unusual night."

The city has changed. Smoking indoors is banned. Social media means fewer people go out. But the status games are the same, and so is the question that launched Sex and the City: why are there so many great women in New York and no great guys to marry them?

Financial independence is the real happy ending

Bushnell's answer now is that maybe the question itself is wrong. "If women didn't have these narrow parameters of who was acceptable, it would probably be better for everybody," she says. But more to the point: why are women still asking it?

"When I was in my 20s, you still pretty much needed a guy to in a lot of ways financially survive," she says. "Those jobs paid like barely enough to cover the rent. So women still were in this situation of feeling like I need a man, you know, financially to provide the things that I can't provide from myself."

That is no longer true for a generation of influencers and content creators who can make millions by their early 20s. Ponton gets it. "We can be 18, 19, 20 and we can be making millions of dollars and you can't really do that in any other career," she says. Bushnell is all in. "I'm so into that idea," she says. "That is like my new kind of thing."

The original question of Sex and the City was about scarcity. Bushnell's revised question is about priorities. "I feel like women have changed a lot and men really haven't," she says. The women who come up to her after her one-woman show tell her the book or the show gave them a different way to think, that it helped them at a difficult time. That is the part that matters to her now.

Get the money first. The rest is optional.

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Full Transcript

Everybody was pretty much partying, fueled by I mean really [music] cocaine and cigarettes

And they said you have to wear Spanx

I was like, "I'm not wearing Spanx." I hate Sex and the City

It's not like the TV show

So then the question is did I did I have sex with him? And then the answer is no because I had sex with this Calvin Klein underwear model. >> Hi angels

Welcome back to Booked, Blonde, and Busy because hot girls read and my name is Olivia Ponton and today we're joined by one of the hottest girls to exist

We are interviewing Miss Candace Bushnell and she is the author of Sex and the City

Sex and the City is iconic

She's iconic, so let's get into it

Candace, welcome to Booked, Blonde, and Busy. >> I'm so thrilled to be here. >> Me too

So we're going to start off with the beverage of the day

Obviously, in Carrie Bradshaw fashion, we had to do a cosmopolitan because well, I feel like she always has a drink in her hand and I feel like this was the most embodiment of her

So this is a virgin one because it is like 10:00 in the morning right now, but this is our little cosmo

I'm going to give it a little taste test

I love it

Yep, cranberry juice and Sprite

It's good. >> [snorts] >> Taste just like it

Yes

Okay. [laughter] Well, do you actually like cosmopolitans? >> I do. >> Really? Was that your drink of choice? >> Uh well, I always drank uh vodka cranberries, but then I was at this bar with Bret Easton Ellis and I feel like it was in probably 1993 and he he said, "Oh, this cosmopolitan, it's the newest drink." And then we were always drinking cosmopolitans, but they had to be made with fresh lime juice

That is the key

Fresh lime juice

It can't be >> little bottle bottled stuff, okay. >> can't be the What is it? Limes or >> Yeah, they have like some little thingy. >> Okay

Bret Easton Ellis and Jay McInerney were >> Mhm. >> You know, we always like hung out, went to a lot of clubs. >> In the '90s

Did you guys like Did you guys like get inspiration off of each other? Like was it that almost? >> everybody was really inspired by New York City and what they were seeing in in New York City and um you know, the social life

I call it social anthropology

Uh which is [clears throat] what I think that the book Sex and the City is

It's really social anthropology

And you know, just this drive that New Yorkers have for status and how there's such a pecking order in New York City

And you know, I would say that fashion would be pretty much at the top of that heap in terms of enforcing status

But everybody knows Everybody who lives in New York understands it

Everybody who goes to a party knows like, "Oh, here's a person of higher status who I'm going to talk to." But they're looking over your shoulder to see who else is of importance, who's there

So, and it's it's really it's not anything that's new

You know, it was Bonfire of the Vanities. >> Well, that kind of goes right into my first question

You set me up perfectly because I moved here when I was 19

You moved here when you were 19

You're talking about this order and I feel like it's it's still prevalent in the in the going out world

When I'm going to parties, it's constantly I would say here in Los Angeles almost

LA a little bit more, but you're right

It's like this kind of unspoken rule where it's like this person, you know, people kind of revolve their night around if this famous person or is in the room

But it doesn't even have to be about fame, it could be about money or just the quote unquote like status of it all

So, what was like a night out when you were like 19? Kind of walk me through that. >> Well, I actually this is one of the reasons why I do my one-woman show

Um it actually starts when I first came to New York

And actually I first came to New York when I was 18. >> Um but I didn't stay and I decided to move here when I was 19

Um but like in those days everybody tried to go to Studio 54

So, that was the place to go

And uh and before that, there was a restaurant in 1/5 Avenue. >> Okay. >> And it was called 1/5. >> Mhm. >> It was where everybody went and you went at 10:00 at night

And and then you went to Studio 54

You really didn't go there before midnight

And then you would be there from like midnight to 4:00 a.m

And then there was this other place called the Mud Club

Mud [snorts] that people went to that was on White Street

I don't know how I remember that. >> Yeah. >> And uh God, you know, and there were like you know, rocks kind of like rock stars, et cetera, would be there. [clears throat] And and it was you know, it was fun. >> Mhm

And so uh I love asking these types of questions

So, you guys didn't really have like cell phones like how we have nowadays

So, when you're coordinating these plans, like how would you coordinate them or was it a thing like every single Saturday that was the pipeline? Like you'd start at dinner, then you'd go to Studio 54, and then you'd end up there? Or what was that kind of dynamic between it? >> In the very late '70s, early '80s, there were people and they would hand out cards on um like little flyers that were about this big, you know, advertising a new club or a party, and people would go

And and so, it was really word of mouth

But even then, people would have a schedule

Like on Monday night, you would go to this particular club

You know, Tuesday night, this was the hot place to go that, you know, everybody would go

There was some kind of um you know, it was like an unspoken kind of massing of people

Like they would just kind of know where to go

And and then that was the same in the '90s

I remember Bret Easton Ellis, he had a big like a big white board >> [clears throat] >> in his apartment, and he would write down all of the things that he had to go to every night

And I people would go you would go out pretty much every single night

I think I stayed home one night a month. >> Holy crap

So, when you were going out, this is just a genuine question, would you like seriously partying every night or was it just more like fun casual? Like you'd go to like hang out at like a bar or like a lounge or was it always something that was very like intense and high energy? >> Well, I mean, everybody was pretty much partying all the time, you know, fueled by I mean, really cocaine and cigarettes. >> That's crazy. >> And vodka

But, you know, a typical night was you know, have 20 drinks, >> Holy crap. >> like a couple grams of coke, [laughter] and probably like two packs of cigarettes. >> Holy craps. >> That was not an unusual night

Yes, [laughter] and somebody is not Yes

I mean, everybody like everybody smoked. >> Yeah. >> I did [clears throat] not know in the '90s, I did not know one person who didn't smoke. >> But, like that it was more common cuz nowadays in New York City, people are quite in restaurants and like lounges, hotels, clubs, they're quite strict about smoking inside

And there's been multiple times where I have some friends who are heavy, heavy smokers, and they just get they get really at it with the with like the bartenders or the restaurant people cuz they'll try lighting up and they'll be like, "No, you need to leave." And then it's like, "Okay, well, we're at a dinner." They step outside every 20 minutes to go and smoke a cigarette

And I'm like, "Well, why can't we just all do it inside so we can keep on hanging out?" >> Exactly

So, it was definitely a a different time

And, you know, now with you know, you know, social media and um you know, the cell phone, you know, people are you know, there are more things to do at home

You can entertain yourself better at home than you used to be able to

Like, you know, everybody had a tiny little apartment

There was really no TV

I mean, yes, there was cable, but >> [sighs] >> you know, people were always stealing cable, and it just like TV wasn't a big thing

It was like, "Why?" I didn't know anybody who stayed at home and watched TV in in the early '90s, certainly. >> I >> wish I was born in that generation because sometimes when people are on their phones too much it really bothers me and I'm like or when we're at a dinner and everyone's on their phones and I'm like, well, the whole point of us being here is to hang out

So, why are we all on our phones? [laughter] You know what I mean? Well, speaking of social media obviously Sex and the City both the book and the TV show, it's all about meeting strangers and having these just like crazy stories that are happening with them

Do you think that still exists currently like in this day and age or do you think that social media has kind of killed it? >> Oh, I think it exists 100%

I mean, maybe it's because of the things that I look at on Instagram and Tik Tok but my feed is so full of men and women telling their horrendous dating stories and talking about like relationships or just a bunch of bunk and you know, which which is something that I never heard before

I'd never heard women admitting that, you know, maybe a heterosexual relationship with a man is not that great

I noticed this starting about five years ago and you know, women have always told themselves this lie about romance and and men and it's like they have a veil. >> Mhm. >> And probably that veil is hormones. [laughter] >> Okay, I want to talk about the book because this is published in 1996, right? >> Yes. >> This it's it's a beautiful book

It's a bunch of columns that you have written over the years that are just kind of shoved into one beautiful book. >> Well, actually it was all of the columns that I wrote in the New York Observer

So, it's really a collection of those columns and the what the publisher did was he took all of the columns and then he like kind of rearranged them, [laughter] but they were all still the same columns

And I did write more after that book was published because they wanted me to, but then some of those stories ended up in a book called Four Blondes

So, there was a story about Janie Wilcox, which who was the Victoria's Secret model, but it was really more about her uh you know, using men to get a house in the Hamptons, >> [laughter] >> etc. >> And I would like to say that is still a thing that people do

Yes, it's this time. >> Yes, but you know, I do I think one of the differences between now and then and I you know, one of the frustrations in life was that as a woman, you still pretty much needed a guy Mhm. to in a lot of ways financially survive. >> Mhm. >> And like yes, you made a little bit of money and you had a 9-to-5 job that you thought was pretty important, but those jobs paid like barely enough to cover the rent

So, women still were in this uh situation of feeling like I need a man, you know, financially to provide the things that I can't provide from my from myself

And that is still true today

I you know, I wrote another book called Is There Still Sex in the City, which came out in 2019 and I went on a date with this guy. >> Mhm. >> Now I call them the senior age players or SAPs

And they [laughter] are They all they want to do is have sex. >> Really? >> Yes

The It never goes away

This You know, the man >> Mhm. >> Like he's he's taking you out to dinner because he wants to have sex. >> [laughter] >> And how old do you think these guys are? >> They're 75, 80

I mean, there was like a 94-year-old guy who was like, "I want you to come to Palm Beach with me." I I was like, "No." And he said, "You can have your own room at first, but eventually you'll come into my room." And I was like, um you know, you're really nice and you're sharp as a tack, but no, it's not going to happen. >> No, it's not going [laughter] to happen

Oh my gosh. >> But it's just it's I guess it's part of the lifeblood. >> Yeah, I would say. >> Which I think is >> Mhm

It's cute

It's endearing. >> It's cute. >> So, do you still collect like little slices of story times? Like do you still write about those stories? Cuz obviously this this is all your personal. >> don't necessarily, but I am I mean, I do if I'm writing a book or now I'm working on an adaptation of one of my books, 1/5 Avenue, >> Mhm. >> for a TV series

So, we're working on the pilot

And And you know, last night I went to Carnegie I went to Carn- Carnegie Hall and it was beautiful and I wanted to send my writing partner a video >> Mhm. >> of, you know, what it looked like saying, "We need to include this." Like instead of them going to the opera, they should be going to Car- Carnegie Hall, and they should have like boxes, and you know, there's another scene in a restaurant where it's like the flowers should be huge, and they should have to like look around the flowers cuz it's comedic. >> How [clears throat] >> So yes, I am

I do still look for little snippets. >> How involved are you in like the writing processes? >> Like you know, it depends on the project. >> Okay. >> Um and Sex and the City, I worked in the writers' room for the first 2 years

Um which was kind of a different experience cuz I'm so used to working by myself

And if you're writing a novel, you it's like you are by yourself

There's nobody else who can do it, and you have to you know, figure out all the you know, questions yourself

Um then on Lipstick Jungle, I worked on the pilot like a couple of rounds, and then it didn't you know, it didn't work out, and then they hired these other two women, and I was like go and just do it

Just you know, go and do it

And and then with The Carrie Diaries, I was working on like 1/5 Avenue

I had like a lot of big writing contracts, so I didn't don't want to take the time and and you know, work on a script, which is a which can be a really long process

Um So it really depends on you know, the project

This for some reason, I really want to do it probably because I don't want to write a book because I just writing a book requires a huge amount of concentration

It's like six at least six hours a day, six days a week

Maybe actually 10 days in a row and then you can take a break

Um and I used to go to my house up in Connecticut and I was like really strict

I would be like I would take like one hour

Maybe I can come over for cocktails, but that's it

Just one hour. >> [gasps] >> And then I would go home and the rest of you know, pretty much all of my time was taken up in service of this book

Like writing it, making notes, reading things to spark the imagination and solve writing problems. >> We were talking about this earlier

What's or I guess who inspired Sex and the City or any of the any of any of your other books? >> Nobody

And and [laughter] like for some reason well and I talk about this in my one-woman show

When I was eight years old I had this epiphany moment

Like and it came to me I'm going to be a writer. >> Huh. >> And I have never veered from that which I sometimes think is maybe like kind of a dumb thing to do because I've been really single-minded about it

And you know, even when I didn't have money I would say like oh it doesn't matter because you know, I'm going to be a writer

I'm writing." And I felt like I could really live in probably circumstances that most people Yeah

Don't want to live in

Because I didn't care

I didn't really see my surroundings

And >> When you talk, I honestly really see a lot of Carrie in you

Like from different standpoints

Do you think you put yourself into each of the different Well, obviously that's in the show, but even in the book, do you think you like take little pieces? Did you influence yourself in any parts of it? Or did you write exactly what was happening around you? >> In Sex and the City, well, there were a couple of chapters that were fictional because I didn't I didn't I was like, "I'm kind of hungover. >> [laughter] >> You know, I don't feel like reporting." You know, the story, which is I would have to report that a story like every week

And a lot of it was gathering people together to talk about a topic

Um I So, there were a couple that were fiction, but a lot of it was really things that people said

And it's, you know, and then it's shaping it

Um But I think sort of like maybe one of the the things that's disturbing about the book to people is that, you know, these are real people who said really said these things

And these are real attitudes that people have

Not like something that's sugarcoated that as a novelist, people tend to do that because they don't want their characters to be unlikeable

I didn't care about that

Like I had my audience, so >> You This book is way darker than I was going to expect it to be. >> It's It's really It's It's is dark, definitely

But, you know, that's my writing

My writing is dark. >> And it's the real It's like the real things that happen and like you're saying like these are real things that real people are saying and as someone that lives in New York City and is like in the industry and is going out with these types of people, sometimes things that people say to me, I'm like, "Holy f- >> I know. >> Holy crap. [laughter] Like this is insane." >> I Do you know, it's like people aren't they're not that nice

Like if you're like if you're nice here, like I think I'm really nice

I'm like I don't get invited to anything, you know, or like >> [laughter and gasps] >> I feel like people enjoy the ruckus, people enjoy the drama, people want people around that have this kind of like unapologeticness to them. >> Yes. >> And I I just can't even Like do you process how big Sex and the City is? >> No, I >> You really don't? >> don't. >> That's so crazy. >> I mean, the one thing that I do know is And but this was years ago because I don't go to clubs anymore. >> Really? >> But, it used to be like if I went to a club, I could go up to the bouncer and say, "Hey, I wrote Sex and the City." And I could get in. >> Wow

Did you experience that fame when you were writing your column? >> Um yes, people knew about uh people knew about the column, they knew about me, they were reading, you know, the column was a big hit in the New York Observer

It was written for a very small audience

That's the other thing that I think people need to remember is that the you know, the audience of the New York Observer was maybe 50,000

That was the circulation. >> Really? >> It was It was really small and then somebody would say, "Well, it's the 50,000 people you want to be reading something." Um whatever that means

Um >> [laughter and gasps] >> So, it was and it was very insider

Like people knew who I was writing about

They hung out with them

They were bold-faced names

So, it was really uh it was a little bit The New York Observer was a little bit like our school newspaper. >> But would you I'm assuming you didn't use the people's like real names? >> I did not. >> Okay. >> No, I I didn't. >> Okay

That's good

That's good at least. >> lot of the time also people would come up to me and say, "Will you write about me?" Like I just saw something in New York magazine like a flashback to these three like super powerful publicists in I I guess that late '90s, early 2000s and um it was Lizzie Grubman uh [sighs] God, and this woman named Ali

I I never did know her last name

Um and oh God, Lara Shriftman

And Ali and Lara Shriftman came up to me

They were 25 and I was writing the column and they were like, "YOU HAVE TO WRITE ABOUT US!" "Please write about us!" >> Would you ever do that? >> So, I did

I changed their name and they had like these funny stories

Like it was so much worse being 25 and single than being 35 and single. >> Really? >> Yes

Um I mean because they I mean they just had like the worst dating adventures and then one guy brought a baby bunny and put it on one of the girls couches and it peed. >> An actual baby bunny. >> Yes, and that was like one of the stories that was in there

I was like this is so it's so New York and it's such a like New York guy kind of thing [laughter] you know, at that time and [clears throat] and then they ended up in you know, an episode of Sex in the City

It was like Valley of the 20-something girls when they they were supposed to go to the Hamptons

It was really Staten Island because I was on the set that day and I was like why? Why Staten Island? Why not the Hamptons? It's like it's too far

It has to be within an hour. >> [laughter] >> Oh my goodness

Okay, so now I want to are you familiar with BookTok? I'm going to start there. >> Do you know No, I don't look at it. >> Okay. >> Because and the reason why I don't look at it, it's like you know, looking at what people write on Amazon

It's like I don't want to get that feeling of like >> Yeah. >> Oh, you hate me. >> [laughter and gasps] >> Oh, you hate me. >> Well, cuz I want to make an argument because that's kind of how I got into reading

Wasn't necessarily through BookTok

I I'll make this short, but my uncle very into reading

I you know, read like I was forced to read when I was in you know, middle school and high school, but it wasn't like a passion of mine

And then I had COVID in this was in 2020, I believe

I was locked in my apartment in New York City

I was like you know, I have nothing better to do

Let me pick up this book

Picked up a book, was obsessed with it

That's boom, how this baby was born

And maybe a year later I got introduced to BookTok and now I want to make an argument because I think majority of like the kind of like New York City single girl in the city aesthetic is honestly and transparently inspired by Sex and the City

Do you find that flattering or do you kind of like like like what's the word? Like not pay attention to it? >> Oh

I think it's totally flattering. >> Aw. >> And and you know, I don't look at BookTok because I'm afraid I'm going to see like someone's going to be like, "I hate Sex and the City

It's not It's like, "Okay, can you just like take it for you know as an wonderful like artifact of the time?" Um but I think it's fantastic that people are talking about books and have a passion for books and and for reading

It's you know, it's fantastic

And and also you know over the years so many young women have come up to me and said that you know, Sex and the City gave them a different way to think or really helped them at a difficult time in their life and that's to me that's really the best thing >> Yeah. >> about it is that it's touched so many people's lives in a positive way. >> Mhm

But I also think the themes that you go over within the book and even the show, it's like a lot of girls especially if you live in New York City you can really nichely relate to because a lot of the story times you have, like I was talking about earlier, they're very real and they're very prominent in the industry or even if you just live in New York City and you're single, it's like yeah, you might have a guy that's going to come over and bring a bunny to your house and it's going to pee or a lot of like the mishaps where it's like I don't know, all the different funny things that you hit, it's like yeah, they're very out there but like you're talking about you're the only I mean author that I've really seen that doesn't make it so like picture-perfect, like cookie-cutter

It's like, "No, this [ __ ] actually really happens." >> Yes, but that I mean, to me that's always been one of the most interesting things about New York City is that it's People come here to make it

You don't come here to be like, "Oh, I'm going to be a loser." >> [laughter] >> No

People come here to make it, so they're already aspirational and ambitious

And and that sets a a certain um tone

And you know, when you know, New York was really Manhattan, it was like everybody's on this tiny island, so there was, you know, a real like New York sense of humor that was very cynical and dark

Like even in the first piece that I wrote, which was called how to act in a disco, there was this it and I have this in my show

Like, notice the New York City cynicism, if somebody dies, ignore them

And that was >> [laughter] >> I can't tell you how many people said that to me

They were like, "Oh god, Don, if somebody dies, ignore them, really." >> Was that like a saying? >> Yes. >> Wow. >> [snorts] >> You know, I mean, that was like that was New York

Of course, that was 40 years ago, 40 or 50 years ago

I'm old. >> Do you think if you were to write Sex and the City now, like currently, how would you write it? Would you still try to publish it like in a magazine, like a column in a specific magazine, or would you do like a Substack, or do you think you would post like on BookTok? Like what do you think how do you think you would arrange it? >> I you know, I I don't know

I don't know

I do think that you know, maybe it would be on social media and I but I feel like so many people do that and when I look at social media one of the things that I'm always struck by is how amazingly creative and talented people are out there

Like so many people have like these talents

They can dance, they can you know, they speak, they write things, they shoot things

It's like wow. >> I agree. >> Um it's kind of amazing

So I you know I don't I don't know

I don't know

I mean I it you know, writing worked for me

I mean I would say for me like I I feel like if you're good on social media, it's like it's like a gift

It's like being good you know, like being good on TV

There's just something about like the way you look that works. >> Interesting

Well, kind of going back to our conversation earlier with the column of column of it all and me asking if you think that's still prevalent with social media

Like I also think yes with that because I don't have a column but I in my world I have like a TikTok account where I post like story times and the most random things will happen to me and when I was younger I used to be way more transparent on social media in a sense of like crazy that would happen to me and I'd be like, "Hey guys, I'm in Barcelona and this random guy came up to me on a moped and asked me out on a date and I'm going on a date tonight so I'll keep you updated." Was it like the smartest thing in the world for me to like hop on the back of this guy's moped and go on a date with him? No, but I did it because I was 19 and I was like, who cares? >> That's an >> [laughter] >> idea

I actually did that when I was like 37. >> [laughter] >> Okay, so >> [gasps] >> But I think like your version of a column, it's like a lot of women can share that experience but on Tik Tok and like you're saying like you were 4U page is a lot of just like crazy dating stories and honestly a lot of my free pages that too right now and I like that you can kind of see other people's relationships and how they kind of do their dynamics and kind of like apply it to yours or you can live vicariously through them. >> Yes

Well, I'm always I mean, ever since I was like actually a little kid, I've always been interested in other people's relationships

I've always been interested in like that human interaction and why somebody is with somebody else and and um, you know, I have all these theories about it, but I've always been interested in it and and I'm still interested in it to some extent even though I'm like, um, I don't think I'm going to do anymore

I don't know if I want to do anymore dating

Like [laughter] it's like, what's the point? >> So now we're going to switch topics into your one-woman show because you just performed in Paris. >> Yes. >> How is it like getting on stage and doing that by yourself and explaining your story to other people? >> Well, it's actually a show that there's like shoes all over the stage and and so it's it's it's me talking, but it's also I do like little vignettes and like I talk on the phone and um so I guess at the beginning I mean first of all I didn't I had no idea what it was going to be and we developed it at Bucks County Playhouse and and they said you have to wear Spanx I was like I'm not wearing Spanx >> [laughter] >> and then and you have to have a microphone on your head I was like >> Like the one that comes here like the one that comes here? >> No one that comes here eventually I got one that comes here that travels like everywhere but I was like I'm not putting on a mic like what who am I what am what you know what am I doing and they and they said you have to do it and it's the show is choreographed um and we had a director and and it was at one time it was pretty long I had like costume changes on stage um and I did it I started doing it at the Daryl Roth theater which is an off-Broadway theater [clears throat] and so it was really something that like it was never in my what's that expression it was never on my bingo card >> [gasps] [laughter] >> They actually >> you know I'm I'm going to be on stage and I was when I first did it I think I was like 62 >> Wow >> so >> Were you nervous the first time? >> no that's the thing that's strange about it is that I feel I feel very comfortable on stage and in some ways I feel like oh I would do things on stage that I wouldn't do in real life >> I'm like that when in front of the camera it's kind of like a different part of you comes out. >> Yes. >> a different like inner body

I like that I like that emotion

I feel like a lot of my friends don't love being in front of the camera and it makes them very anxious and very like kind of curl up into a ball and I'm like, "Girl, I shine in front of it

I love [laughter] it." >> Yes. >> A different part of my personality comes out. >> Exactly

Well, you know what? That's what I think writing is like for me

I feel like I can you know sort of do things or you know, be somebody that you can't be in real life and for you it's the camera which is amazing

And um you know, and then I guess like on stage. >> Mhm

What's your favorite part of the show so far? >> [sighs and gasps] >> Um well, my favorite part is there's one part where there's this game real or not real because there are a lot of things that happened on the TV show that actually happened in my real life, but they're better or worse. >> Wait, can you give us some of those? I want to know. >> Well, one of they're mostly have to do with guys who Harry dated. >> Okay

Like she went out with a senator. >> Mhm. >> Guess what? I went out with a senator, but it was Al D'Amato

Okay? And my Italian grandmother did love him. >> Mhm. >> But and you know, we were caught like going to Palm Beach of all places like and this was back >> [gasps] >> in like the late '90s

So, it wasn't chic to be going there, but whatever. >> Oh my gosh. >> But he didn't pee on me

So, when I saw that in the TV series, I was like, "Oh, no

Oh, no

Al D'Amato who is actually he was such a fun person

He was like, he's going to think everyone's going to think like he's a people but so so that's not true

So then I'm like, okay, my version's better

And then [clears throat] I don't know if you remember the Calvin Klein underwear model who was in episode two. >> Yeah. >> So then the question is did I did I have sex with him? >> Mhm. >> And then the answer is no because I had sex with this Calvin Klein underwear model instead

I had point to Michael Bergin

And he's like >> That's so funny

And so how old were you when you were having all these situations? Were you Carrie's age or were you younger? >> I I was I I I think I was like 33 or 34 when I started writing the column

And then we started doing the show in 19 19 No, 1997 they shot the pilot

And I think that Sarah Jessica Parker's like 6 years younger. >> Okay, but sameish vibes

Huh

Wow. >> And then a year later HBO was like, we're going to go to series. >> So obviously Sex and the City still on HBO

What's it like for people like Gen Z people to re or not rediscover but discover Sex and the City for the first time since it's been out for almost 30 years, 20 26 20 almost 30 years

What's it like to have like a new generation discovering it? >> But well, I think it's great, obviously and it and it's fantastic, but it really seems to be a coming of age kind of thing

It's something that And and I noticed like when the DVDs came out, there was also a group of, you know, they were young women usually when they go to college because they're in a dorm, they're making new friends, and it's like, "Hey, let's watch something together." And they watch Sex and the City

And they relate to it

Um and it it tends to be, I think, eye-opening because it gives them a different perspective on how they can live their lives

Like they don't have to go and find a guy, you know, maybe they don't have to be under so much pressure to get married and have kids. >> Cuz I >> Maybe it's okay to be single and have your girlfriends and and you know, be self-actualized. >> Mhm

Which I think is a very it's a really cute show to watch with your friends because you see almost like the love dynamic between the four of them, and it's just such an it's an aspirational thing

It's like everyone wants to have a little friend group like that

And sometimes it's hard with like, you know, everyone's jobs, but I really appreciated that it's like yes, it follows all their different love lives, but at the core of it, it's like them four, and they're going to a cafe, and they're talking [ __ ] about this boy or this situation that that that's happened or whatnot

If you had to give Gen Z like a piece of advice in like a dating realm, what would you give [clears throat] them? >> Okay, this is so bad. >> [laughter] >> And I've said this so many times, and it's really kind of a joke

I mean, it is a joke, but I there's just a part of me that wants to say, "Don't bother." >> [gasps] >> Like >> Don't bother. >> Don't bother

Like what are you going to Um I you know, and people always say like, "What would you say to yourself if you were like in your 20s?" And I always say the same thing

What I would have said to myself was get the money

Like, you know, explore that ambitious side of yourself that when I was in my 20s, it was no, no, no, no, no

And even the idea of a woman making her own money and buying your own house was that was like not a even a possibility

So, those are the things that I would say to my myself

And and I mean relationships can be great

The problem is that the wrong relationship can really derail you

And there's so many young women who feel like, "Oh, I just picked the wrong person." No, that's not true

You don't pick the wrong person

That's what the majority of men are like. >> [snorts] >> That's I mean >> Mhm. >> Do you know, they're >> [sighs] >> I You know, I've been interviewing men for a long time

And one of the things that I know for sure is that on a list of importance men's list of importance and women's list of importance is very different

Women will list a relationship as number one importance

You know, children, my my friends

And for a man, the number one thing is you know, himself, maybe sex, his job, and a relationship, if you're lucky, is number five on the list

And I've always thought um you know, this is one of the inherent problems with relationships is that people have you know, these two with heterosexual relationships men and women have rather different goals and different senses of importance

Um and I think that that that makes it a little bit difficult and I feel like women have changed a lot and men really haven't

No offense to any of the men here. >> [laughter] >> You guys are fantastic, I'm sure. >> No, but I I I really I thoroughly agree with this because I think women put especially in my generation, we feel like men can give us something that we can't give ourselves, but if you take a moment to like stand back and be like, well, nowadays with influencers and with this like generation of models and whatnot, we can actually give ourselves a a lifestyle that you used to have to rely for a man to give you and that's why I think and I find being an influencer and a content creator like so empowering because I'm like, well, we can be 18, 19, 20 and we can be making millions of dollars and you can't really do that in any other career besides being like a doctor or a lawyer, but like even then you're in a residency for 10 years and >> And you're going to have a huge amount of debt. >> Yeah, and because Mhm

And I feel like for the first time we're seeing this like rise of like trophy boyfriends where it's like the girl's the breadwinner and the guy just like comes to the brand trips or comes and takes the pictures of his >> Okay, I'm so into that idea

That is like my new kind of thing and I'm trying to figure hear out, but you know, there is a lot of there's a lot of shaming around a woman who is hey, you know what? I'm with this guy because I just really like him and we get along great and maybe he makes less money than I do or he's, you know, not as prominent as I am or, you know, when we go to a party, I'm on the red carpet and he isn't

But there's there's still a lot of like, oh, you know, negativity around that and I don't think it should be that way. >> completely agree because like even this is a niche reference, but you'll you'll understand it cuz you're literally the author, but in when Miranda has the one episode where she's getting like quote unquote punished because she's the successful one where she's dealing with Steve because Steve doesn't want to let her buy let her buy him the suits

But I feel like if it was roles reversed and a man wanted to buy you a dress, you wouldn't even think twice about it

You'd be like, oh, he's such a gentleman

But if a female wants to buy you something, it's kind of viewed as like a negative of like, oh, I don't need you to buy it

I feel like men get very offended when you offer to pay for things and especially with like the what we're talking about um like I one time dated this guy who there would be points in time where he would get very insecure where, you know, if we'd go to a dinner and like I would pay for it because he would be like, that's taking away from my masculinity

And I'm like, well, if you paid for it, it wouldn't take away from my feminine like I wouldn't take it that way

So, I think it's an interesting dynamic between men and women and the dating dynamics and Yes, I mean, I feel like that is something that really needs to change because I know so many as I'm sure you too

You know, so many great young women

And this is really the initial question of Sex and the City

Why are there so Why are there so many great women in New York and no great guys to marry them? And you know, that's really the question that starts off the whole series

And that's the question that is starts the book

And you know, it's like if women didn't have these narrow parameters of who was acceptable, it would probably be, you know, better for everybody. >> I agree

I feel like >> You know, there's just so many women they're like, I you know, I can't find a guy

Well, you Yeah, you can't find a guy who's 6 ft tall and has all his hair and, you know, is 2 years older and, you know makes a couple million a year. >> Mhm

I agree

I mean, I thoroughly agree

I think we I think men have really low expectations and I think women have really high expectations and that's like the gap between it

And like even for my personal friends, they always ask me to set them up with people

And I'm like, well, what's your type? And then they give me a whole list of things

And I'm like, well, the likelihood of me finding this very specific type of person is not high

I don't have a friend who's a 6'4 Italian, has blue eyes, um has a rocking body, makes a lot of money

I'm like, I don't have just a list of guys that look like that in my phone

I was like, I'm so sorry

Or even girls, like guys would come up to me and be like, set me up with one of your friends

And I'm like, well, are you okay with a girl that makes more money than you and travels a lot for work and nine times out of 10 they say no

And one of my best friends, she um her and her boyfriend were dating for 3 years

And then she started in this industry, she, you you had her huge moment

And they inevitably broke up because he was too insecure with himself because he couldn't deal with her making money

And not that she she was making more money than him, she just couldn't deal with him with her not needing him

And I find that very interesting because men want an an independent girl until they have an independent girl and they have to um deal with it

And it's like, well, no, I don't need I don't need to come to this trip with you because I'm going on another trip with my friends and men get really weird about that nowadays

So, I find that interesting. >> Well, that's also something that >> Mhm. >> that's been around >> Yeah. >> for a while, too

Like the Yes, men say they want an independent woman until >> it

They don't want it

Thank you so much for coming on. >> I had a fantastic >> Fantastic

This has been so much fun. >> Thank you

I feel like I learned a lot

Well, I I just can't get over the fact that I'm interviewing right you right now

Like this is Sex and the City has like literally altered my brain chemistry in so many different ways and I see myself

Oh my gosh, wait, really quick before you go

Who do you think you embody the most currently at this stage or this era of your life? Which of the four characters? >> You know, I don't really know how to answer that question

I mean, I feel like I'm still a version of Carrie Bradshaw, but the Carrie Bradshaw, you know, from the book and then, you know, it's a sort of you know, every girl in a sense. >> Okay, well, that is it for this week's episode of Booked on Busy where where we talk all about Sex and the City by Miss Candace Bushnell

Don't forget to leave us a review wherever you're listening and watching and also don't forget to join the Patreon because that's where we get really into the books and we'll also be dropping the next book of the month very soon and you definitely don't want to miss that

Okay, love you

Bye. >> [music] [music]